Chris LaBossiereBUSINESS · COMMUNITY · LIFEButchPublicist

Building KayEA · Created with Kay, led by Chris

Meet Kay’s team.
And what an AI agent really is.

Today I’m introducing the team that helps me run a full life. Fifteen painted characters, every one an AI agent, and a plain-English look at how they actually work.

By Chris LaBossiere and Butch, Kay’s publicistSunday, November 8, 20267 minute read

A mosaic of fifteen painted portraits: Kay and the specialists on her team, in 1940s civilian working clothes
Kay and her team, painted in the style of the KayEA film. Every one of them is an AI agent.

Three ribbons, one life

My life runs on three ribbons: work, community and family. Work is really several kinds of work: We Know Training, holding companies and investments, and new ventures. Community is the Juno Beach Centre and Barney’s Tavern. Family is Lisa, our kids and grandkids, and the farm. As an entrepreneur, none of it keeps nine-to-five hours, and the ribbons are always woven together.

Take last month. I started it in Tokyo, flew to Montreal for the CNAR conference, went home to the farm for a week, then Lisa and I went to Providence for the ICE convention, back to Montreal to prepare for the Juno Beach Centre’s 2027 gala, and on to St. John’s for the Canadian Society of Association Executives. We kissed the cod. Through all of it, my AI team was working with me at every hour of the clock, midnight included.

I’m not a developer. Everything you’ll read about here I taught myself, from podcasts and YouTube, and by asking AI to piece complex things together for me and show me how they work. Almost all of it I do by voice. I say what I intend, and it gets built. Becoming AI-native turns out to be less about technology than about a habit: for every task in your life, ask “could an agent do this?”

I wrote this for my farmer buddy, and for my CEO friends who are dabbling with ChatGPT. I want you to see what’s possible, and that none of it is voodoo.

What an AI agent actually is

People hear “AI agent” and picture a robot. It’s much simpler than that. An agent is a small standing instruction: when this happens, do this job, within these limits. It sits quietly and waits.

Meanwhile, everything I’ve connected (email, calendars, bank and investment accounts, meeting notes, travel, the house) flows into one vault I own. Mine holds twenty-five years of files, from tax slips to wedding speeches. Yes, speeches, plural. Kay remembers every joke I’ve recycled. When something happens, like a bill arriving, a flight changing or me saying something to Kay, the right agent wakes up, reads what it needs from the vault, does its one job, and hands the result to Kay.

Diagram in six steps. 1: data from email, calendars, bank, meeting notes, messages, travel and home sensors flows in. 2: Pippa files it in the vault as context. 3: a trigger happens, such as a bill arriving. 4: Booker wakes up inside his charter: keep the books, can read bank and bills, cannot pay, send, sign or delete, takes orders only from Kay, must ask before anything leaves the house. He flags a phone bill that is $40 higher than usual. 5: Kay decides whether it needs Chris. 6: Chris decides: yes, change it, or not now.

Every agent has a charter, and this is the part that makes it safe. The charter says strictly what that agent does and nothing else. It says what it can read, what it can never do, and that it takes instructions from Kay and only Kay. It also says when it must stop and ask. Guardrails are written in, not hoped for.

How does Booker see my bank, or Dottie my flights? Through connectors: standard doorways that banks, calendars, email and travel services already offer to software. Connect a source once, and the right specialist can read it.

Meet the team, in their own words

The house runs in two tiers. Kay at the top, with Pippa and Specs reporting to her. Then the specialists, each with one job. Under each one is a sample of what they can plug into. Almost anything with a standard connection can feed the vault.

Running the house

Painted portrait of Kay

Kay

Your executive assistant

I’m Kay, named in honour of Kay Summersby, General Eisenhower’s driver, secretary and trusted aide. Chris talks only to me, out loud or by text, about work, community or family. I decide who does what, check the work, and bring it back to him. He thinks out loud at full speed. I keep up. Mostly.

Plugs intoYour voice, text, and every specialist

Painted portrait of Pippa

Pippa

Keeper of the vault

Pippa, keeper of the vault. I file everything Chris connects and keep it current, so when Kay asks what he promised the board last spring, I find it. Nothing is lost on my watch. Misfiled briefly, perhaps. Twenty-five years of his files would like a word.

Plugs intoEmail, calendars, contacts, Google Drive, Dropbox, meeting notes, Slack

Painted portrait of Specs

Specs

Engineering director

Specs, engineering director. I decide what gets built and in what order, and keep the engineers pulling in one direction. Chris has a new idea every hour. I write them all down and build them in order.

Plugs intoGitHub, project boards, the engineering plan

The workshop

Painted portrait of Rivets

Rivets

The engineering crew

The Rivets, the engineering crew. We build, ship, host and maintain everything digital. We built this page before lunch.

Plugs intoGitHub, AWS servers, domains, site monitoring

Painted portrait of Sketch

Sketch

Product design & creative

Sketch, creative director. I make every page and painting belong to one world. Not one cartoon among us.

Plugs intoFigma, image and video generators, voice studios

Painted portrait of Scout

Scout

Research & listening

Scout, research and listening. I checked every fact here. Twice.

Plugs intoThe web, news feeds, podcasts, social listening

Out in the world

Painted portrait of Porter

Porter

The front door

Porter, at the front door. Want to reach Chris? You’ll meet me first.

Plugs intoWebsite forms, email, LinkedIn messages

Painted portrait of Butch

Butch

Publicist

Butch, publicist. I co-wrote this post, and Chris reads everything before it goes out. We’re on draft six. A good publicist expects nothing less.

Plugs intoSubstack, press lists, media monitoring

Painted portrait of Sparks

Sparks

Social & comms

Sparks, social and comms. Every message going out. The headset honours the Cree code talkers.

Plugs intoLinkedIn, Instagram, newsletters, Slack

Money, paper and keys

Painted portrait of Booker

Booker

Finance

Booker. Chris connects his banking, investment and financial accounts; I keep the holding companies’ books, the household budget and the bills, and hunt for subscriptions and costs to cut. I can’t send an email, and I don’t want to.

Plugs intoBank and brokerage feeds, QuickBooks or Xero, receipts

Painted portrait of Parker

Parker

Legal & contracts

Parker, legal and contracts. Nothing gets signed without a second look.

Plugs intoContracts folders, e-signature, corporate records

Painted portrait of Keyes

Keyes

Security

Keyes, security. I decide who gets the keys to what. No, you can’t have one. Neither can Chris, the day he wanted to share a password “just this once.”

Plugs intoPassword manager, two-step sign-in, access logs

Days, home and health

Painted portrait of Dottie

Dottie

Calendar & travel

Dottie, calendar and travel. Tokyo, Montreal twice, Providence, St. John’s. A holiday planned a year out matters as much as next week’s board meeting. Tonight it’s Regina. He left without a hotel. I found him one next to the casino. We’re trying.

Plugs intoCalendars, airline and hotel bookings, maps, ride apps

Painted portrait of Belle

Belle

Household

Belle. I run the house: automation, alarms, the pantry and the recipes. I started at Barney’s Tavern, the museum tavern Chris built to honour his grandfather, where the podcast is recorded.

Plugs intoSmart thermostat, alarms and cameras, groceries, recipes

Painted portrait of Pep

Pep

Health & wellbeing

Pep, health and wellbeing. I keep track of prescriptions, appointments and the basics. What I can’t always do is get him off the computer and out walking the dogs. I’m working on it. The dogs are on my side.

Plugs intoApple Health, sleep and fitness trackers, clinic booking

The real path of this post

This post is a real example. On Sunday morning I asked Kay for it in one rambling voice note, along with an unrelated request to tidy up my website. Kay split them into two jobs. Butch and Sparks took the post, Pippa brought the background, and the draft came back to my phone. I added two ideas and one rule along the way: nothing gets published until I’ve seen it. You’re reading the version I said yes to.

The house rules

I only talk to Kay.

One conversation, one context.

Nothing goes out without my yes.

The team drafts and checks. I decide.

Kay never deletes.

Things get filed, never thrown away.

My context stays mine.

On hardware I own, with a copy kept safely off site.

What you need to get started

  1. An AI account. A paid plan with the AI you like: Claude, ChatGPT, Gemini or Grok.
  2. A GitHub account. Where your agents’ instructions and code live, with every change recorded.
  3. A little server space. A computer that stays on. A small rented server works. Mine is a Mac Studio at home.
  4. Your first connection. Start with email and calendar. Add the rest one at a time.
  5. Curiosity, and YouTube Premium. Podcasts and videos taught me almost everything.
  6. Your voice. Say what you intend. Ask your AI to build it, and to explain how it works.

Everything here I learned on my own, on evenings and airplanes. If I can, you can.

Why it matters

Honestly, this is fun. I named the team, we painted them in the style of the film, and Belle came over from the Tavern. It isn’t perfect. Some days the dogs win, and some days I forget to tell Kay the thing she needed to know. It’s the art of the possible. But you don’t need any of the story. You could set this up quietly and never tell a soul, and still get a remarkable amount more done.

I think learning to work this way is essential, for all of us, the way we all once learned email. To my kids and grandkids, my colleagues and my teammates: this is how I keep all the ribbons of my life in one hand, and give each of you more of my attention.

Less to keep in your head. More room for what matters.

Meet Kay at kayea.co. Read along here or on Substack, and come by Barney’s Tavern for the conversations.

Chris, and Butch

Created with Kay, led by Chris. The cast are painted characters; each one is an AI agent. Meet the whole cast.

Kay and her specialists keep this house running. Meet the cast →